The wrestler then locks his hand to his wrist behind the opponent's neck to make the opponent submit or lose consciousness as the carotid artery is cut off. The wrestler then uses his free arm to pull the opponent's arm (the same arm to which the wrestler is applying the half nelson) across the face of the opponent. The wrestler stands behind the opponent and uses one arm to place the opponent in a Just like the original clawhold, the attacker applies a painful nerve hold to his\her adversary's stomach, forcing them to submit or pass out.Ĭobra clutch Main article: Cobra Clutch Another variation may see the wrestler mount an opponent on his/her back and apply the hold for either a pinfall or a submission.It also slows down blood pressure. One variant may see the wrestler instead lock his/her hands on the opponent's neck. Similar to a clawhold, the attacking wrestler applies a nerve lock onto the opponent's shoulder(s) using his/her hands and fingers for a submission attempt, sometimes by the same effect as a sleeper hold. The focal point is to use gripping power to almost attempt to press one's fingers into the opponent's head as opposed to just squeezing with the flat of ones fingers. The claw was a squeezing of the skull, applied by curling one's finger tips using primarily the last two knuckles of the finger, thereby applying five different points of pressure. The wrestler then flips forward to plant his/her feet and bridge his/her back, adding additional pressure to the opponent's neck and upper back. Another variation of this hold, referred to as a bridging reverse chinlock, sees the attacking wrestler kneel before the opponent and grasp his/her neck into a reverse chinlock. As with a sleeper hold, this move can also be performed from a standing position. This move sees the attacker kneel behind a sitting opponent and wrap around one arm under the opponent's chin and lock his/her hands. The wrestler then places his/her knee in the opponent's back, grasps the opponent's chin, and either pulls straight back on the chin or wrenches it to the side. The wrestler then uses his "free" hands and holds the wrestler in a chinlock.Īlso known as a rear chinlock this hold sees an attacking wrestler lift his/her opponent, who is lying on the mat face up, to a sitting position. The wrestler, however, would not keeping holding the arm of the opponent, but rather sandwich it between his side of leg and opponent's side (body or waist), or the wrestler can simply trap it under his thigh and used leg. The wrestler then grabs one of the opponent's arms in a stepover armlock, spinning 360° so the opponent's arm is bent with pressure on it, and results in the wrestler facing the same direction as he did before applying the hold. The wrestler first stands over a kneeling or prone opponent with each leg beside the opponent's either side. The move was invented by Gory Guerrero in Mexico, where it was called la de a caballo (Horse-mounting choke). A camel clutch can also refer simply to a rear chinlock while seated on the back of an opponent, without placing the arms on the thighs. The wrestler then reaches around the opponent's head and applies a chinlock and then leans back and pulls the opponent's head and torso. The wrestler sits on the back of his opponent, who is face down on the mat, and places the arm or, more commonly, both arms of the opponent on his thighs. Head, face, chin and shoulder Camel clutch Main article: Camel Clutch Likewise, chokes are usually not applied to the point where they cut off the oxygen supply to the opponent's brain. In public performance, for safety's sake, stretches are usually not performed to the point where the opponent must submit or risk injury. Chokes, although not in general stress positions like the other stretches, are usually grouped with stretches as they serve the same tactical purposes. Many of these holds, when applied vigorously, stretch the opponent's muscles or twist his or her joints uncomfortably, hence the name. Stretches are usually employed to weaken an opponent or to force him or her to submit, either vocally or by tapping out: slapping the mat, floor, or opponent with a free hand three times. 1.7.6.3 Inverted three-quarter figure-four leglockĪn element borrowed from professional wrestling's catch wrestling origins, stretches (or submission holds) are techniques in which a wrestler holds another in a position that puts stress on the opponent's body.1.7.6.2 Inverted figure-four ankle lock.
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